my beloved world

•  Kollywood: Tamil film industry center, based in Tamil 
•  Tollygunge: Bengali-language film industry center, based in Kolkata 
•  Tollywood: Telugu film industry center, based in Hyderabad  
•  Sandalwood: Kannada film industry center, based in the state of Karnataka  
•  Center for Malayalam-language film industry in the state of Kerala.  

Dear readers,

American film censors, who called Motion Pictures Association of America (MPAA) create a rating system in classifying films that circulate in their country. With this system, the community is expected to assess whether a film worthy to be watched by them / their families, or not.
Some things became the basis of consideration of this rating, namely:
style of language used by the actors-actresses, the use of illegal drugs in the story, elements of violence and the level of sadism, and whether this film shows the bloody scene.
Starting from 2007, plus 1 more basic considerations, namely the presence or absence of smoking scenes.

The following classification system is based MPAA rating:
1. G - General audiences
Can be witnessed by all people of all ages, because it does not contain elements of a scene with no clothes, no element of sex and drugs. Violence is presented with a very minimalist, without the use of offensive language style. Usually given to the children films and several documentary films
2. PG - Parental Guidance Suggested
Can be witnessed by all people of all ages, but recommended for children to be accompanied by a parent. The cause is that the film may contain elements of underwear scenes, words that are not appropriate, mild violence or drug, although presented in a minimalist. Usually the children's film that did not make the G rating, will enter the rating of this type.
3. PG-13 - Parents strongly cautioned
Can be witnessed by all people of all ages, but for children under the age of 13 are required to be accompanied by a parent. The reason is the film contains a scene with no clothes on, though not explicit, harsh words, showing little scenes of bloody, and illegal drugs. Usually the winning films that want to reap as much revenue, will enter the rating of this type. Example: Titanic
4. R - Restricted
Can be witnessed by all people of all ages, but for children under 17 years are required to be accompanied by a parent. The reason is the film contains a scene with no clothes, rude or vulgar speech, displays of violence and use of illegal drugs are dominant throughout the film. Not many films of this type that can rule the box office ladder, because of the limited audience that can watch it. Example: The Passion of The Christ
5. NC-17 - No Children 17 or Under Admitted
Can only be witnessed by an audience aged over 17 years, without exception!

MPAA was founded in 1966, driven by community unrest will be the content of films such as Psycho by Alfred Hitchcock and the use of the word f *** in movie Ulysses and I'll Never Forget What's'isname .
Frankly, the MPAA is less favored among indie filmmakers because it is considered discriminatory
and only benefits big studio producers. This is due mostly indie films authenticity priority to the story, so some scenes in it appear 'as is'. Automatically, the MPAA gave many NC-17 rating, which resulted in at least the audience can watch indie films.
In addition, the institute also criticized for selecting its members are not transparent.

Source: Cinemags Magazine

Hi all .. beautiful day today, isn'it?
This time I want to share a little story. Not an important story at all, but just a movie watching experience. Not a new movie too, production of 2006. But really, for me this movie is very amazing. Frankly, a film with the strongest & best moral message I've ever seen. So it's interesting enough to share with you all.

The Pursuit of Happyness, so the title.

Chris Gardner (played by Will Smith) is going through periods of less happy in his life. His job as a salesman of medical equipment requires hard work, but failed to give results that are financially equivalent. Limited education make it difficult to get another better job. Living in the midst of such conditions, in the city of San Fransisco's high cost of living, making the economy of Chris’s family becomes messy. The wife who also works hard to support the family, while gradually eroded his love to the husband. He wanted a better life, so that eventually forced to decide to leave Chris and their young son, Christopher (played by Will Smith's own son, Jayden Smith), for their fate to another city.

Glimmer of hope emerged when Chris meets a wealthy young people who come to his office, drove a luxury car. With Chris innocently asked him what kind of work can take him to the summit of success like that. "I am a Stock Brocker", replied the man. Chris' hope soared when he was told that the type of work did not require a bachelor's degree, but only hard work, expertise count, and the ability to communicate with others.

Chris Begin working to get the job. However, problems come just for the sake of life issues become more frequent at the same time, one after another. Starting from the landlord evicted because of rent arrears for several months, medical equipment that he sold stolen (for a while Chris hasn't been able to release his previous job, so he's doing two jobs while continuing to nurture Christopher), imprisoned because of delinquent traffic tickets a car, etc.. All seemed to test the fighting spirit of Chris and his affection to the only son. Thankfully, the brave men who are always able to control himself was eventually able to survive until the end and win the battle against the barrage of bad luck.

My friends, watching this movie as if slapped me hard, considering all the laziness and mistakes of life that I often do. My chest tight by compassion, witnessing how little Chris and Christopher have to sleep in a train station toilet because they didn't get a room at the shelter house. Complete with various kinds of bags and suitcases they brought. How Chris ran helter-skelter among the crowd of office workers who smartly, with a modest dress because he was only released from police custody, in order to meet scheduled an important job interview. Even for the sake of saving time to be caring for Christopher, Chris decided to not drink much when working so that his time was taken to walk into the machine dispenser & go to the bathroom!

Chris sacrifice many more others. Overall figures show as a visionary, a hard worker who never gave up, able to throw the prestige, always under control in any situation, family loving, communicative and interactive.


Sound sentimental, yes? But sorry, I don't care if it is true :-). I am already fascinated with the myriad moral message of this film, which was taken from a true story! The characters are portrayed very well by comedian Will Smith is now has his own company and great success.

Readers, I give four stars for this movie. From all aspects, this film is extraordinary. In addition to the wonderful moral example, setting the 80s who wakes up with a careful eye is also quite spoiled. Maybe a cliche theme, for some of you judge it. A person who is destitute situation, and then struggled to get out of that situation. But in my opinion, something considered a cliche that sometimes only for those that haven't been proven in the real work. But when we ask directly to Chris Gardner, the Andri Wongso that not complete primary school but became a national motivator, or Soegiharto a former housemaid, but managed to become chairman of oil company Medco & ministers of state, & much more. Surely they do not consider that this theme-the struggle to achieve a better life in a good way-is a cliché thing in life.

I highly recommend this movie for all of you, my friends. For those who've never watched one, please buy it or go to the nearest video rental to watch it again.

Also one thing that no less importantly, the Pursuit of Happyness is increasingly proving to myself that the film can be very powerful in the media who spread the message of virtue. Well, for you who have similar dreams like me to become a professional filmmaker, let's chase that dream like Chris Gardner pursue his dream, and create works that illuminate like this ...!

an introspection for Indonesia film makers

Film Indonesia, since its birth in the early 20th century until now has experienced many ups and downs in its development. Been very successful in recent decades, the 50s and 80s, but has also slumped as the decade of the 90s. Since the last 10 years, we should be grateful because the national film world is slowly but surely began to re-excited after it was "mati suri (suspended animation)" with a total production of only a dozen titles per year. Phenomenal success of "Petualangan Sherina (The Adventures of Sherina)", “Jaelangkung”, "Ada Apa Dengan Cinta (What's Up with Love)" and "Ca Bau Kan" in terms of number of spectators, as well as movies of Garin Nugroho in terms of international awards they have received, as if to open the eyes of the producers who previously migrated to Television cinema production, that the local film market share is still very wide open and promising. One by one production house began to produce films again, FFI (Festival Film Indonesia) and another film festivals held similar start to bloom, as well as new faces of talented cinematographer appear with their fresh works. Although a bit late, top action film genre has also become part of the wave of the resurrection."Merantau (Wander)" is one of them.
Produced by PT Merantau Films, this film emerges as an action movie, the first in the country after many years. Treat people longing lovers of this genre that previously had to content themselves with Hong Kong kung fu films and a typical Hollywood shootout. Because even though the foreign films in the quality far above the average of local film, but still feels far from the reality of everyday society
During the months of June-August 2009, "Merantau" poster emblazoned on almost all our cinemas, and managed to siphon hundreds of thousands of spectators. Reminiscent of a similar thing when local actors Barry Prima, Advent Bangun and George Rudi debuted in the 80s. Claims to carry the local culture of Indonesia with a Pencak Silat Harimau (Indonesian native martial arts) display from the Minangkabau, a film which tells the struggle of a young man in the rescue of a girl and her brother from the clutches of this evening's entertainment entrepreneurs pumping enough adrenaline and refresh our eyes with the action scenes of work either, which is pretty neat story (and simple despite the cliche), landscape of some location shooting in the beautiful West Sumatra, and the acting is quite compelling than the characters.
The presence of this film certainly is a positive phenomenon in the national film industry, because it enriches the themes of our films that had been controlled by the theme of the almost uniform-like horror and sex comedy. Also commendable that he is trying to raise the local culture that almost never touched by our filmmakers, and take some location shooting in an area that almost never appears in the film (for some reason we very rarely see our filmmakers shooting outside Jakarta, although the potential for natural beauty in this country is an extraordinary), and starring the real Pencak Silat practitioners and national champion Iko Uwais. In short, "Merantau" is an example of how local culture can be combined with contemporary popular culture and packaged into products that consumers preferred. But to be critical, the question should arise in our minds:
where our filmmakers are, when this film was made? Do they have enough content to work in the themes of the nearly uniform from year to year? Does not arise a desire to make movies that raise cultural and local wisdom of this nation, which is actually very abundant we have? Do not shame them, preceded by a foreign film maker?
Yes, "Merantau" written and directed by Gareth Huw Evans, a British film maker who was fascinated by the beauty of Pencak Silat, since making documentary films about it. No wonder, if today some of this nation's original works such as Reog Ponorogo, Pendhet Balinese dance and "Rasa Sayange" song claimed by our neighbor country as their own, because apparently the owners of this nation as never appreciate and preserve it. In fact, if our filmmakers wanted to, certainly not an impossible thing though is not also something easy.
In my personal opinion, at least there are three main causes of the lack of movies that contain loads of local culture:

1. Fear of the local investor to finance the film beyond current trends.
If by following the current market appetite they have a profit, why bother to create a theme that is not necessarily sell? As information, the horror movie "Tali Pocong Perawan" starring Dewi Perssik successfully broke the 1,082,081 spectators until October 21, 2008 while still a flood of similar themes in the market. The number was in third place after a best-selling movie "Ayat-Ayat Cinta (Verses of Love)" and "Laskar Pelangi (Warriors of the Rainbow)."
2. Lack of concern on the local culture.
If no other producers are doing, for what became the first effort? When a film with popular culture is not easy to hit is sold, why are "looking dead" by making films that raised the culture of "ancient"? As soon as possible in the minds of our film industry players, who grew up in an atmosphere far removed from traditional culture. Probably most of them is the generation of MTV, which is far more familiar with modern pop entertainment than the traditional arts that became extinct. As a result, the traditional culture as something that feels familiar. But look at the average education level of their high, should they want and can care for and raise artistic heritage of their ancestors.
3. The lack of creativity in the national filmmakers.
The author believes, we have the same level of creativity with foreign filmmakers such as Thailand, Japan, or Hong Kong all have proved the quality of their work at international level. The question is whether they want to pour their creativity in a packed story with a load of local culture? Not just creative packaging horror stories or just teenage love story. So the problem is not the ability to be creative, but more to the will.

Actually, "Merantau" itself is also not perfect with that mission. In some aspects, the film is still not showing the situation and the actual conditions in Indonesia. Although the elements of Pencak Silat visible, but hard to deny that the overall fighting choreography is similar to Hong Kong action films. Also its artistic arrangement & sinematography sets up. A scene of the shooting of a character in elevators with machine guns indiscriminately, reminding us of the style of western action movies. Not to mention if we want to touch the issue of moral message: This film impressed too extol violence in solving problems. All of the above is not a mistake, maybe. Could be just a matter of their makers a sense of art alone. But I believe, the things above still can being created to become more real Indonesia and being visualized to become more polite and humane.
This article does not intend to judge. I know, making movies, then make Indonesian viewers favored is the already difficult job. Exacerbated by the lack of seriousness of our forces in combating PIRACY is obviously very detrimental to the filmmakers maker. Moreover, making the film that picked up the local culture in some aspects may require serious research and the demands of prudence in order not to violate the grip and its kind values. But let's to try to care, because preserving the nation's culture is a good noble civilization, and no good for nothing.
The producers try to be more courageous to make different themes, and more concerned with the local culture.
The filmmakers try to be more creative, so that products can be presented with the regional culture and entertain an audience favorite. Never willing to let the audience was hypnotized by foreign products such as kung fu or Indian dance.
For the spectators try to be more often watch Indonesian movies in theaters and never buy pirated goods!
As for the government, we await the implementation of our mandate so that you wiped out piracy.
Finally, foreign filmmakers could make a good film about our culture, we should be doing better.

Hopefully Indonesian film industry has continued to improve in the future.

Hi, hello .. Alfha Arsyan (arsy) here.
Write a blog for hobby and interest in films and writings.
Sorry if my writing is still a mess, because I am still an amateur.
Want to comment or give additional insight for me? Please..
So, happy reading.. :-)